田一成

慈濟技術學院通識教育中心

摘　要

美的藝術應是意象的統一。本文取將生命以藝術的方式加以創造，而具有特殊人格美的嵇康為對象，以「柳」作為審美範疇，經由外在文獻與內在思路的探討，說明在審美感興中，嵇康與柳之間交融合一，昇華成令人味之無盡的藝術美感。茲歸納有三：（一）飄逸瀟灑的名士形象；（二）閑居超俗的高士象徵；（三）生息不殆的養生意識。

關鍵詞：柳、嵇康、意象、審美

An analysis of the relationship between the image of willow and Ji Kang’s life sentiment

Liang Chiao-Yen

Tz'u-Chi College of Technology , General Education Center

National Chengchi University , Department of Chinese Literature, Ph.D. candidate

Tien Yi-Cheng

Tz'u-Chi College of Technology , General Education Center

Abstraction

The art of beauty is essentially equal to the unification of image. Ji Kang filled his life with art and led this kind of life joyfully. Therefore Ji Kang himself had a special beauty in his personality, and it will be the main sources that we draw from in this essay. This article will take advantage of ‘willow’ as a researching sphere of esthetics, also discuss its essence by means of both outer documents and inner thoughts, then it will find that in the feeling of esthetics where both Ji Kang and ‘willow’ had virtually been in perfect harmony. We also find this kind of harmony had eventually come to sublimate to a sweet sense of beauty in terms of art.

Here we gain 3 conclusions : (1)appearance of an unrestrained and smart gentleman (2)symbol of a leisured and unconventional hermit (3)a constant sense of health.

Key words：willow、Ji Kang、image、esthetic

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